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Kristi Zea
Highest Rated: 100% Everybody Knows... Elizabeth Murray (2016)
Lowest Rated: 24% The Comedian (2016)
Birthday: Oct 24, 1948
Birthplace: New York, USA
New York native Kristi Zea stumbled into the world of moviemaking in the late 1970s. Despite having attended the High School for the Performing Arts, she intended to pursue a career in journalism, but while an undergraduate began working as a stylist for a commercial photographer. Although Zea did not like the work, it was lucrative and she discovered she possessed a flair for the work. Woody Allen hired her as a design consultant on his dramatic "Interiors" (1978), which, although shot in color, had a mostly black-and-white look to it. Alan Parker hired Zea to create the costumes for the high school students in his "Fame" (1980) and her career was on its way. She subsequently designed the costumes for Parker's "Shoot the Moon" (1981) and "Birdy" (1984) and moved up to production designer on "Angel Heart" (1987). Zea also forged collaborations with James L Brooks, creating the period clothes for "Terms of Endearment" (1983) serving as art director on "Broadcast News" (1987) and designing the production of "As Good As It Gets" (1997).
Photos
Filmography
Movies
| Credit | |||||
|---|---|---|---|---|---|
| 83% | No Score Yet | Daddio | Production Design | - | 2023 |
| No Score Yet | No Score Yet | Notes From the Field | Director | - | 2018 |
| 100% | 67% | Notes From The Field | Director | - | 2018 |
| 100% | 29% | Everybody Knows... Elizabeth Murray |
Director, Writer |
- | 2016 |
| 24% | 28% | The Comedian | Production Design | $1.7M | 2016 |
| No Score Yet | No Score Yet | A Tree. A Rock. A Cloud. | Production Design | - | 2016 |
| 59% | 73% | The Intern | Production Design | $75.6M | 2015 |
| 51% | 51% | Black Nativity | Production Design | $7.0M | 2013 |
| 67% | 48% | Tower Heist | Production Design | $78.0M | 2011 |
| 55% | 44% | Wall Street: Money Never Sleeps | Production Design | $52.5M | 2010 |
| 62% | 47% | The Joneses |
Producer, Production Design |
$1.5M | 2009 |
| 27% | 49% | Confessions of a Shopaholic | Production Design | $44.3M | 2009 |
| 67% | 71% | Revolutionary Road | Production Design | $22.9M | 2008 |
| 43% | 64% | The Brave One | Production Design | $36.8M | 2007 |
| 91% | 94% | The Departed | Production Design | $132.4M | 2006 |
| 80% | 63% | The Manchurian Candidate |
Production Design, Production Design |
$65.9M | 2004 |
| 69% | 74% | Red Dragon | Production Design | $92.9M | 2002 |
| 78% | 53% | Changing Lanes | Production Design | $66.8M | 2002 |
| 53% | 67% | The Family Man | Production Design | $75.8M | 2000 |
| 86% | 86% | As Good as It Gets | Producer | $147.6M | 1997 |
| 73% | 85% | Sleepers | Production Design | $53.3M | 1996 |
| 81% | 89% | Philadelphia | Production Design | $76.0M | 1993 |
| 93% | 80% | Lorenzo's Oil | Production Design | $6.9M | 1992 |
| 95% | 95% | The Silence of the Lambs | Production Design | $130.7M | 1991 |
| No Score Yet | 50% | Women & Men 2 | Director | - | 1991 |
| 95% | 97% | Goodfellas | Production Design | $42.6M | 1990 |
| 76% | 56% | New York Stories | Production Design | $10.6M | 1989 |
| 88% | 49% | Married to the Mob | Production Design | $19.7M | 1988 |
| 82% | 81% | Angel Heart | Art Director | $14.4M | 1987 |
| 78% | 80% | Silverado | Costume Design | - | 1985 |
| 33% | 45% | Unfaithfully Yours | Costume Design | - | 1984 |
| 26% | 51% | Endless Love | Costume Design | - | 1981 |
TV
| Credit | ||||
|---|---|---|---|---|
| No Score Yet | 52% | New Amsterdam | Director | 2019-2020 |